[personal profile] maayacolabackup











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Yixing’s not sure how it ends up like this. Only he is, because it only makes sense, through the hazy fog of desire, to run his fingers along those mesmerizing contours; run his tongue along them too, for good measure.

Jongin is electric. He whimpers and writhes and gasps beneath Yixing’s desperate hands and mouth, and fists his hands in Yixing’s shirt he traps Yixing against the studio table, careful not to push him too hard lest some of Yixing’s pictures fall to the floor.

EXO had gotten in a few hours ago on a late flight. Jongin’d gone to his hotel and he’d called Yixing, and Yixing had mumbled something about developed photos, and then forty minutes later Jongin was at Yixing’s door.

“I had Chanyeol get me a cab,” Jongin said, quickly, like Yixing was going to question why he’d come. “I told him you wanted me to look at a few pictures.”

“I do,” Yixing had said in response, and Jongin’s cheeks were flushed pink and his hands were sliding in and out of his pocket like he wasn’t sure if he wanted them there or not. “Stop fidgeting.”

“I don’t fidget--” Jongin had started to say, and Yixing had shoved him against the doorframe of the studio entryway and kissed him.

Jongin had squeaked, and then his hands had come up and settled on Yixing’s hips, and he’d kissed him right back.

And now… Now, Yixing drags his mouth along the line of Jongin’s jaw, and Jongin hisses into his ear, slides his hands down Yixing’s sides, warm through Yixing’s shirt.

Yixing doesn’t like men, necessarily, but he likes Jongin. He doesn’t know how anyone couldn’t, when Jongin’s so full of life and color and movement and all those things that make people beautiful, all concentrated into their purest forms.

Jongin finds Yixing’s mouth again, and Yixing licks along his teeth and cheeks and the roof of Jongin’s mouth and tastes shadows and contrasts and love as true as ink and celluloid.

“I don’t have to keep waiting?” Jongin asks, and Yixing shakes his head, before he catches Jongin’s lower lip between his teeth.

“No,” Yixing says. “You don’t.”



#



Yixing teasingly pushes him back, small hands exerting almost no pressure on Jongin’s chest, but Jongin falls like he’s been shoved. Yixing’s bed is soft; the sheets high-thread-count cotton and luxurious, and he only gives Jongin a moment to second-guess any of this before he kisses him.

Everything’s a blur as color drips down the back of Jongin’s back and Yixing tastes those shadows, licking and biting at the column of Jongin’s neck as Jongin gasps and tries to breathe beneath him. His hair, piceous liquid silk, brushes Yixing’s forehead as Yixing brings their mouths together again.

Yixing kisses him until Jongin is splayed out beneath him, breathing hard, lips swollen and blush and parted as he gasps for air. He reaches for his camera, and takes a photo as Jongin’s hands skate up his bare chest.

“You’re so weird,” Jongin says, and he laughs, and thrusts up, and Yixing’d forgotten that they’d lost their jeans a couple rooms back, and now all that separates their erections are the thin material of their briefs, but now he’s reminded, the friction making his hands shake on his camera.

Jongin moans, baring his throat, and Yixing takes another shot.

And then the camera finds itself abandoned on the side of the bed as Jongin flips them, kissing down Yixing’s chest and down, lower, mouthing Yixing through the material of his briefs, and Yixing’s hips cant off the bed, toward the warmth of Jongin’s mouth, and Jongin grins, cheekily.

When they’re both bare, sliding together, sweat and the need to touch overwhelming, Yixing thinks he might be coming apart.

“You’re so beautiful,” Yixing says, as Jongin slides a single digit inside him. It stings, and Yixing already feels like this is too much; like everything is too much and he might break. But then Jongin pulls out slowly and pushes back in, and Yixing hisses at the burn, but he doesn’t break. He stretches. “So beautiful.”

“How can you even see me in the dark?” Jongin’s voice is breathy, like maybe he feels as taut and on edge as Yixing does as he works that single finger in and out. “Relax,” Jongin whispers. “Let me make you feel good. Let me make this feel good.”

“Photographers see things other people don’t,” Yixing says, voice and thighs shaking at the ache, focusing on the friction inside of him, unclenching his muscles as the slide of Jongin’s finger becomes more familiar and a little more easy. “That’s why we become photographers in the first place.” Jongin curls his finger, and the press of the pad of his finger against the walls of his inside startles a gasp from him.

Even in the caliginous room, Yixing can see the shadows clinging to Jongin’s shoulders and neck. Jongin is Old Hollywood again, and Yixing is Slim Adams, and this is the Jongin he saw, the first day they met, but open and distilled and the story Yixing feels like he has always been looking, but better, because he’s real and here and moving.

“Don’t lose track of this, or wander off,” Jongin whispers, as he thrusts hard into Yixing for the first time. Yixing’s thighs tremble, and he feels like he’s splitting in half. It’s more pain than pleasure, but he has faith that that will change. His nails dig into the skin of Jongin’s back. “Don’t think about anything but me.” They aren’t perfectly coherent words, and Yixing’s unsure if he’s speaking in Mandarin or Korean, but he feels them, deep in his bones, like an anchor. Jongin’s skin shines in the thin streams of moonlight, and Yixing’s still as mesmerized as he was that first night on the terrace.

Yixing doesn’t think that Jongin understands that he can’t look anywhere else, because Jongin is the most perfect photograph Yixing’s never taken.

Pleasure arcs up the small of his back, tangled with the pain of the stretch and the exhilaration of the pressure against his insides, and Yixing finally feels like his skin might be as warm as Jongin’s.

“I won’t,” Yixing whispers, and his voice comes out cracked and hoarse, and Jongin shivers at it. “I can’t.”

“Good,” Jongin says, and he pulls out, slow and steady, and pushes back in harder; hard enough to shake Yixing’s thin body as the bed shakes with him, and Yixing makes a garbled noise that would be embarrassing if he didn’t want to pull Jongin closer and feel whatever that feeling is again.

It’s like panning; Jongin is the sole distinguishable object in a sea of blur, and Yixing follows him with eyes and shoulders and hips as he presses in again and again.
“I can’t,” Yixing says again, and nothing has ever been more true.



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Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever... it remembers little things, long after you have forgotten everything. –Aaron Siskind



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Jongin is impossible to capture, after all. Yixing runs hand down the smooth muscle of Jongin's arms and memorizes the strength he can feel beneath his fingertips. He memorizes the years of sadness he can taste in Jongin's sweat and wonders if he were to cut Jongin open whether all he'd find inside was more of that sadness- that echoing emptiness that isn't black or white or any shade in between. He memorizes the shuddering breaths Jongin takes that sound a lot like the quick release shutter on his favorite long-lens camera, and the way Jongin looks, in those moments, blurry to Yixing's carefully watching eyes as he tries to freeze-frame the perfect moment.

Yixing used to think there was no beauty he couldn't catch with a fast enough shudder speed and an eye for the lighting, but Jongin is everything Yixing has never tried to catch. Yixing lives his life in grayscale and exact pinpoint moments, but Jongin is color in motion, defying the click of the camera and defying Yixing's ability to understand him.

Yixing realizes, as he presses a kiss to the corner of Jongin’s sleeping mouth, that he might be willing to spend the rest of his life trying.

Jongin shift and his palm falls open and flat across Yixing’s heart, and it’s enough.



#



Good things, Yixing knows, aren’t meant to last.

It’s balance—just like in a photograph, there has to be an even distribution of visual elements, and of light and dark. Yixing thinks life is kind of like that, and maybe what he has with Jongin is too much happiness and so there has to be misery now, to even out the score.

That’s why when he sees the cover of the tabloid, he knows something bad is about to happen.

“I’m coming over,” Jongin says, and his voice is grim. “For the last time.”

Yixing feels like the next two hours happen through a polarizer filter, a grainy black and white video that’s not his real life at all.

But it is his real life, and maybe it’s that fact that makes it so hard to see.

“I can’t see you anymore,” Jongin says, and Yixing’s been expecting since he first saw the tabloid but it still hurts to hear.

“Because someone took a picture of us?” Yixing asks, looking up at Jongin with a face that’s carefully blank. “There are a million ways to explain-“

“Because there’s too much at stake,” Jongin says, and this is how it feels, Yixing thinks, to stand at the gate and watch someone leave. “And it’s not worth it.”

That hurts the worst of all, until Yixing squints and really looks at Jongin.

Jongin doesn’t believe that. Yixing has been memorizing every nuance of Jongin’s face for months and months, and Jongin’s always been shit at lying.

Jongin’s always tried to protect him. To keep his face out of the news, and Yixing’s always been grateful, before. But now Jongin is looking at him and saying he can’t see Yixing anymore, because there are too many people watching. Because the paparazzi are getting too close and Jongin’s got his career and Yixing’s got his and that’s the way it has to be.

“No it doesn’t,” Yixing says, and Jongin closes his eyes.

“I want it to be, then.” Jongin steps back as Yixing steps forward, and Yixing pretends not to notice that it hurts. “This is goodbye.”

He chooses the word on purpose. Yixing knows he does.

Yixing hates goodbyes. And yet here he is staring at another one.

The world’s in grayscale.



#



“You haven’t complained about the food even once,” Jongdae says. “What’s wrong?”

Yixing hasn’t taken any pictures in three weeks and he keeps trying but the only story he can find is his own heartbreak. He finds it in sidewalk cracks and in helpless earthworms drowning in the early spring rains. He finds it in his studio, where he’s still got hundreds of pictures of Jongin in piles on his desk that he can’t bear to look through.

He finds it in Jongin’s parted lips and they way Jongin had looked at him before he walked out the door, and every time he lifts his camera up to snap a photo, he sees Jongin through the viewfinder; Jongin in New York, laughing at the surprise snow. Jongin in Tokyo, green soybean powder decorating his face. Jongin on Yixing’s bed, stretched out like a cat in the sun as he plays games on his mobile phone, one hand on his stomach and the other on Yixing’s calf as Yixing takes pictures of Jongin’s fingers and Jongin’s toes because the abstract can sometimes tell the story of a moment.

“I’m fine,” Yixing says, and he takes a bite of Jongdae’s latest concoction and grimaces. “This is truly horrible, though, you’re right.”

“You ate half already, Yixing.” Jongdae sounds half seriously concerned and half amazed. “Is your grandmother okay?”

“She’s fine. Everything’s fine.”

“If everything were fine, you wouldn’t look so glum.” Jongdae pushes the traditional pot of reheated dumplings toward him. “Here, have a dumpling.”

“Wow, I must look really pathetic.”

“Just a lot,” Jongdae says. “What are you thinking so hard about?”

“Goodbyes,” Yixing says.

“Well that’s why you look so sad,” Jongdae says. “Wouldn’t you rather think about ‘hello’s?”

There are no hellos left with Jongin. Yixing’s phone hasn’t rung. Yixing’s spare key remains undisturbed beneath the mat in front of his door.

“Sometimes there aren’t any hellos left,” Yixing says, and Jongdae sets down his chopsticks.

“So you know Kris is the one with all the deep philosophical advice, right?” Jongdae sighs. “That said, I think there are always hellos left. And after… after she died you took a really long time to say hello to a lot of things.”

“I know,” Yixing says. “I know.”

“So don’t let go of that! That thing that made you say ‘hello’ again. Don’t… let go of that.”

Yixing looks at Jongdae, and Jongdae smiles and shoves a dumpling in his mouth. “Thanks,” Yixing says, and Jongdae chokes.

“I should’ve left the pep talks to duizhang,” he says around a mouthful, and Yixing exhales.

“I think you did all right,” Yixing says, and takes another terrible bite of his lunch.



#



Yixing sorts the photos on his studio table into piles for filing. He does his best not to let his eyes linger on some of them as he organizes, and he’s mostly successful, willing himself to treat them as if they’re the dregs of any other finished project.

It’s hard, but he does it.

But then he comes across the picture… the one Jongin took, in his car, in front of Yixing’s hotel when Yixing had still been teetering on the brink of admitting to himself that it was all okay; that the things he was feeling for Jongin weren’t going to disappear just because Yixing was afraid.

‘Patiently waiting for the right moment.’ He’s so in love. In the photo, and in real life, and everywhere in between.

He swallows, and it hurts. His throat feels stopped up, like his heart is stuck there and refusing to let anything else through.

He closes his eyes for a moment, and sets the photo to the side.

Beneath it, though, is another photo.

Yixing took that one, in the dressing room. ‘Wanting.’

Jongin is looking straight at the camera, and Yixing will never forget that moment. It’s still, Yixing thinks, one of the best photos of Jongin he’s ever taken. And Jongin is looking at the camera; at Yixing behind it, like he’s everything, and Yixing wants…

Yixing wants to see Jongin look at him like that again. Yixing wants to run his fingers along Jongin’s neck where his hair has grown a little too long and for Jongin to run his fingers up Yixing’s forearm slow and steady, and Yixing wants to take photographs of Jongin’s lips and then kiss every place his lens has captured.

“Love is selfish,” Yixing had told Jongin once, and he’d meant it.

And Yixing knows Jongin is trying to protect Yixing, and protect himself too. He knows that, but it doesn’t make it easier to live with.

Yixing lift his camera, his grandfather’s camera, and looks through the viewfinder, and points it toward the empty doorway of his studio. He remembers when Jongin had stood there, hands in his pockets. He remembers pressing Jongin against it and kissing him.

He takes a photo of the empty doorway.

The photo comes out eerie, almost like there’s a ghost in the doorway that only Yixing can see.

He titles it ‘Miss You, Miss You’, even if he only calls it that in his head, and he locks it in the top drawer of his desk.

Yixing still hasn’t taken… He still hasn’t taken the photo of Jongin he’s always wanted to take. The one he’s promised to take. He’s taken photos that look like Jongin, but Jongin is so much more than those. Jongin is the challenge Yixing wants to keep attempting, over and over again,, for as long as he can.

Yixing doesn’t think he can give Jongin up.


TIP 09



Sometimes photographers think too much.

Yixing often gets so caught up in figuring out all the threads of what he’s trying to represent—what he wants the viewer to take away, and what he wants to be sure to catch, that he forgets to really look.

Because in the end, photography is really about seeing. It’s about taking a deep breath and observing. It’s about looking at the world around him and noticing the little things, or the big things, that other people don’t notice.

And when he gets caught up in all the thoughts; thoughts about that strange shape in the corner or that little fraction of Jongin’s face that’s slightly too much in shadow, or all the consequences of being completely and totally infatuated with the way Jongin looks when his eyes open in the morning, lips dry and cracked and breath stale and eyes so deep he might drown in them, he forgets the important things.

Like that he’s so crazy in love with Jongin that every exhale hurts just a little, because his heart has swelled so big it pushes into his lungs and the pressure aches.

And maybe now is the time not to think. Maybe now is the time to just see.



#



Photography, alone of the arts, seems perfected to serve the desire humans have for a moment - this very moment - to stay. – Sam Abell



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It’s the same road. She’s waiting at the end of it, again, and Yixing walks toward her, again.

This time, she gets closer. When he reaches her, he lifts his camera up to take a picture, and she smiles.

But then she puts her hands on his shoulders, and spins him around, and behind him is Jongin.

Jongin is standing there on Yixing’s gray road with it’s gray pebbles and light charcoal colored grass, and he’s wearing blue-jeans and a white sweater with navy and red stripes. Everything else is in black and white, but Jongin is shifting his weight from foot to foot in full color.

He holds out a hand, and Yixing swallows. He can feel her fingernails digging into his shoulders, and then she pushes, and Yixing stumbles forward.

Yixing lifts his camera, and Jongin smiles, straight at him, with no pretence or worry or hesitance, and Yixing finally catches him. He finally takes a photo that feels like Jongin.

When he wakes, sheets sticking to his legs and stomach, Yixing finds it hard to breathe.

”The limitations of your photography are yourself,” Ernest Haas had once said.

Yixing scrambles for his phone. It’s eight-thirty in the morning. It’s late enough to call a travel agent.




#




His badge still works. He flashes it to the guard and smiles lopsidedly, and the guard seems to vaguely remember him, waving him up. He leaves his bag behind the desk.

He follows incessant bass beats to the right rehearsal room.

The first person to notice him standing in the doorway is Zitao, who smiles a tiny little grin before offering a soft wave. Yixing waves back, and the action catches Sehun’s eyes. Sehun’s mouth opens into a tiny ‘o’ of surprise, and he quickly glances over to Zitao. They share a loaded glance; one that would offer a hundred interpretations in a gallery show, critics standing side by side with flutes of champagne and plenty of opinions.

Jongin is facing away from the door, stretching his arms above his head, bouncing on the balls of his feet to the beat of the music to keep his muscles from tightening up.

Yixing can see the shift of his shoulder blades through his sweaty shirt, and he remembers what they feel like beneath his desperate hands and Jongin presses kisses to his jaw.

He clears his throat, and Jongin spins around. His eyes widen, and his mouth parts, and he’s always picture-perfect but Yixing thinks this is one moment, one image of Jongin, that he’ll never be able to forget.

He has a speech planned in his head, that he’d rehearsed to himself on the plane ride and in the taxi ride here, and he’d almost gone to the hotel first but he’d been afraid he’d chicken out if he did.

But now, standing in front of Jongin, the man who’d brought the life back into his pictures and maybe back into his heart, the words disappear.

Jongin moves closer. Yixing’s stomach drops.

“What are you doing here, Zhang Yixing?” He’s guarded, and his arms are wrapped around his ribs like he’s hugging himself. There’s also disbelief in the set of his mouth, like he can’t believe Yixing is here. “I thought I made it pretty clear that things were over between us.”

He can’t even pretend to be detached, Yixing thinks distantly. Not to Yixing, who has seen so much of him.

“I said I’d never…” Jongin is flushed, hair sticking to his face with sweat, and Yixing can see Zitao and Sehun watching them from the doorway. Sehun has a smirk crawling up his face and Zitao looks enthralled. “Come.”

He grabs Jongin’s forearm and tugs, and Jongin spills out into the hallway, sneakers squeaking as Yixing drags him down until they reach the vending machines. “How’d you even get in here-“

“I still have a clearance badge,” Yixing says. “As your official photographer.”

“Are you here for something relating to the photo book?” Jongin asks. “Because I have a manager for that, as obnoxious as he is.”

“No,” Yixing says, and he wants to make his face impassive but that’s not fair. Right now, more than anything, he wants to hold up his camera and hide behind it. “I am here on personal business.”

“Personal business?” Jongin laughs, dryly, and Yixing winces. “We can’t… I’m too famous, and there’s too much... I’m a client, and you’re a photographer, and between us it the camera, and that’s--“

“Do you remember?” Yixing interrupts, and Jongin pauses, sweat-slick skin shining under fluorescent lights and this is terrible lighting but Jongin is still beautiful. “The first time you saw my oversized print of ‘Tears Airport’.”

“At your studio.” Jongin narrows his eyes. “Of course I do. I wanted to tell you, then, that I… It doesn’t matter, I guess.”

“Do you remember what I said, about that photo?”

“You were in love with her.” Jongin is terse, and short. His adam’s apple bobs as he exhales, and his nails are digging into his palms. “Yes, of course I remember. How could I forget?”

What else did I say?” Yixing knows he sounds desperate, and he lets the feeling show on his face, too. He lets Jongin see it all. He’s stripped Jongin bare in front of his lenses and all he can do now is repay the favor.

“You said… she let you go.” Jongin’s eyes flicker up then, confused. There’s a strange light in his eyes now, and he takes a step closer. He smells like sweat and like his favorite cinnamon coffee and like floor cleaner, and Yixing doesn’t care because he probably smells like airport and like developer and like a halfway broken heart. “You said she let you go.”

“And then I said,” Yixing searches for the words, the exact words, because precision is important when you want to capture an entire scene, “I would never let the one I love walk out of my life like I walked out of hers.”

“I remember that, too,” Jongin says, and it’s soft and crackling. His tongue peeks out to lick his lips. “But-“

“I’m not going to let you walk out of my life,” Yixing says lowly, and he reaches up and fists his hand into Jongin’s damp tank shirt and looks at him steadily, even though he knows he’s shaking. Yixing tries to find words that are enough. “I look at the world and as soon as you’re there, I can’t see anything else.” He takes a shuddering breath. “In my dreams, everything but you is in grayscale. But you… you’re in color.”

“I thought color was distracting,” Jongin says.

“It is,” Yixing replies. “But just this once, it made things a little clearer.”

There are video cameras, and Yixing’s very aware of that. Jongin is too, but he still sets one hand on Yixing’s hip, and Yixing thinks Jongin wants to kiss him. Jongin’s eyes are soft amber and molten bronze and sparkling cinnamon, same as they were when Yixing had met him for the first time and been unable to look away.

Jongin laughs, and it’s sort of like a sob. “You’re… you’re so confusing.”

“I’m sorry.” Yixing curls his fingers tighter into the sweaty fabric. His knuckles dig into Jongin’s sternum. “But I love you.”

“You do?” And Yixing wonders if Jongin had only tried to leave because he thought Yixing hadn’t already given Jongin his whole heart.

Yes,” Yixing says, and Jongin exhales.

“That… changes things. I thought you-“ Jongin shakes his head, and tendrils of his hair cling to his cheeks. “I thought it was some weird, artist-muse thing, and you’d just gotten caught up in it and you’d find it easy to get over me, if I left you-“

“No,” Yixing says. “I want to take pictures of you because I can’t look away. And it’s not your face. It’s all the little bits of you hidden away that I can only seem to see if I keep looking.”

“Then,” and Jongin closes his eyes for a moment, before he opens them again. “I guess maybe it might be worth it, after all, as long as you let me see the hidden bits of you, too, sometimes.”

“We have a deal,” Yixing says solemnly, and Jongin is so bright he burns.

“You might never take a photograph like that again, with those emotions, but there are other emotions. There’s still a lot left to discover, for you,” Jongin had said, and Yixing, as he lets his hand fall back to his side, wonders if this is one of those other emotions; an unbearable obsession that eats him up inside and makes him wonder if it’s possible to take enough pictures to capture all the different ways Jongin looks when he’s in love. In love with Yixing. He thinks it might not be possible, but he’s willing to try.

“So can I take you out on a date?” Jongin’s words are playful, but there’s uncertainty lingering in the audible question mark. “A secret one, of course, because obviously I’m an idol, and I’ve already filled my scandal quota for the year—“

”We can go on a hundred dates, if you want,” Yixing wants to say, but he thinks Jongin already knows that, deep down.

“I think that would be nice,” Yixing says, instead, and this: Jongin’s smile stretching from ear to ear in a boyish smile as his hair sticks to his face and his eyes light up… This is a flashbulb memory.




#




A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.—Ansel Adams




#




“So are you coming to my show?” Yixing asks, and Kris raises an eyebrow.

“I figured I’d be driving you,” Kris says with a laugh, and Yixing scratches the back of his neck.

“Jongin probably will, actually.”

“Isn’t that out of his way?” Minseok asks. He’s quickly correcting the size on the files Yixing had sent him—a series of photos on footprints, which is Yixing’s current obsession. Yixing’s making a website to collect other people’s photos and put up his own, but Minseok is the on who knows how big they need to be and how to upload them and all that.

“No.” Yixing doesn’t say it’s because Jongin will probably spend the day with him, as Yixing takes photographs of the way Jongin’s hipbones jut out when Yixing drags a fingers across the skin there, or the way his fingers and Jongin’s look laced together, Yixing’s hand thin and small looking wrapped in Jongin’s.

Lu Han’s always been good at reading between the lines with Yixing though, and he peers more closely at Yixing when Yixing doesn’t offer more information. “Are you… dating him?”

It sounds funny. Yixing doesn’t think of what he has with Jongin—an obsession with the lines around his mouth and the shadows that linger along the dips in his torso and the way he whispers Yixing’s name when he thinks Yixing is asleep or the way he’s never, ever still, as dating.

It feels a little different from that.

“Yes.”

Jongdae whistles inappropriately as Kris looks up from his phone with interest, and Yixing realizes, belatedly, that he’s sort of dropped more than one bomb at once on his friends, and he braces himself for impact.

“So let me get this straight-“ Lu Han has his hands resting on the table behind him, and his fingers tap a rhythmless pattern into the wood.

Gay,” Jongdae says. “I think you mean get this gay.” Kris smacks him upside the back of the head.

“Grow up,” Kris hisses, but Yixing just laughs and adjusts the settings on his camera.

“It’s fine,” Yixing says. “Yes, Jongdae. Gay.” It’s not that simple, but Yixing doesn’t expect other people to understand when he doesn’t get it himself.

All Yixing knows is that Jongin is… Jongin is the person who dragged Yixing kicking and screaming out of his own reservations and fear, and Jongin is the person who makes it all worth it, in the end. Jongin is better than any Lucie award or any gallery show, because Jongin is an endless world of photographs Yixing has yet to take.

“It’s not fun if you’re not even the least bit defensive,” Jongdae says. “Also Lu Han owes me 300 yuan.”

“I never agreed to that,” Lu Han says. “I knew he’d figure out he liked Kai way before you did, you vulture.” He turns to Minseok with puppy dog eyes. “Didn’t I?”

“You sure did,” Minseok says consolingly, not looking up from the computer.

Yixing should be upset that his friends have been taking bets behind his back, but Kris looks dismayed enough for the both of them, so he settles for laughing, an effusing warmth spreading from his belly all the way up through his chest.

“I want to take a photo.”

“What’s stopping you?” Lu Han says, but Yixing shakes his head.

“Of you guys,” he clarifies, and Minseok spins around in his spinning chair as Kris blinks in surprise.

Somehow they all stand and assemble, and Yixing unpacks his camera from his backpack. It’s a new roll, so he takes a picture of the surge bar in the corner before he looks through the viewfinder.

“Smile, you guys,” he says, and as they bicker and clamor to fit together in front of Minseok’s desk, Jongdae bending forward in front and Lu Han making bunny ears behind him. Minseok is laughing as Kris stoically stands with his hand on the computer monitor and the other resting on Lu Han’s shoulder.

Yixing takes the picture before they’re ready. Minseok’s mouth is wide open in a laugh and Jongdae is looking up at Kris and Lu Han’s eyes are wild. Kris looks a bit constipated.

“Yixing, that was cold, man,” Jongdae says, and Yixing laughs.

“We can take another,” Yixing says, and he lifts the camera back up to his eye and squints through the viewfinder. “I’ve got plenty of film.”



#



Jongin holds the camera up, so neither of them can see through the viewfinder, lens pointed toward their mashed together faces.

“What’s the story?” Yixing laughs as he says it.

“An artist and his muse,” Jongin says, tone pretentious, and Yixing laughs even harder as Jongin presses the shutter.



#



Yixing is not a snake that can shed its old skin and start over anew, gleaming as it slithers free of it’s old shell into the grass.

But he feels sort of like that as Jongin’s hands slide down his arms and take Yixing’s long cultivated detachment with them layer by layer as he pushes in slow and gentle and fucks Yixing until Yixing claws at his back for release.

Yixing feels like he was a roll of film still in the can, and Jongin has carefully taken the negative of Yixing’s heart and exposed it; printing him perfect beneath stubborn lips and fluttering eyelashes.



TIP 10



One of the most important things about photography-- capturing the perfect photo of Jongin, stretched out across the sheets with one hand curled up and mashed into his cheek, lines from Yixing’s pillowcase across the other side of his face, and long legs almost golden against white cotton, is that one has to believe in luck.

No matter how great the photographer, one cannot take that ideal photo if there’s nothing to take it of.

Sometimes it’s luck that a photograph appears in front of Yixing’s eyes; like now, as Jongin’s chest rises and falls with steady, even breaths to an inaudible beat.

Yixing picks up his camera, sitting up carefully so he doesn’t disturb his sleeping love.

Yixing holds the camera up, squinting through the viewfinder until everything is a pale wash of whites and beiges and yellows, and the shadows of Jongin’s dark hair a vivid contrast against it all. Even in sleep, there’s still something restless about Jongin—Yixing thinks Jongin’s skin is dancing to make up for the stillness of his limbs.

He clicks the shutter, and there’s the whirr of sliding film in the belly of the camera; a simple 35mm roll.

Yixing smiles.

It’s color film.

When Yixing dreams, it’s alight with every tint of the rainbow, and Jongin’s eyes shine gold.

This is luck.






END


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Date: 2012-09-18 09:26 am (UTC)
From: [identity profile] airplanewishes.livejournal.com
Spotting because.

Maia. I have so many feelings about this and I'm not sure if I can express them all, or if I can even express the ones I can properly. But even after a couple of hours of reading this, I still feel the story and feel like I'm still reading it. Honestly, it felt like a movie to me, like I was actually watching things unfold, watching Yixing hold himself back, watching Jongin burst into color and it's all so beautiful. I was a bit emotional at the end because there were a lot of things that spoke to me, like I always feel like things are moving too fast, days are going by, and I'm trying to hold on to things, to people, to moments and I feel like I can't, and with the way you portrayed that in how you described photography and with Yixing trying to capture Jongin, that just hit me.

I see photography how you kept on describing it here, capturing moments, reliving them, memorizing them. I've never really taken any classes or seriously dabbled in it, but that's what my purpose would be if I did. The way you incorporated it into the story was like in reverence to the art and the beauty in it. Especially now that everything's digital already. It was really, really beautiful how you tied everything together.

I enjoyed the stark contrast between Yixing and Jongin, black and white vs. color. It showed in their every interaction how they were so different and I really admired that. Their characters were so distinct and so defined every step of the way and you could just see how they grew beside each other, trying and eventually understanding how the other person was like. I like how your Jongin here is like how he really is in real life. He really is such a colorful person and the way he changes when he's on stage and how he is normally is shown perfectly here. And then there's Yixing and his history and how you interweave everything together.

I also really really loved the friendship between Yixing, Lu Han, Kris, Jongdae and Minseok. Friendship in fics are always something I look forward to because it makes things more real and more fun. I love how Lu Han is observant and how Jongdae is such a bad cook, and how Kris knows Yixing so well and just...all of them. This is one of the things, among all of them lol, that I enjoyed reading. The last part was classic. The picture-taking actually got me emotional for some reason. Hehe. :D

But my favorite part of the story was in part 5, where they're outside by Jongin's car and Jongin was telling Yixing that he shouldn't mess with him. I was literally holding my breath throughout that scene. I was waiting for what was going to happen. There was so much tension that I even had my fists clenched.

Your writing is so amazing, Maia. I'm not being biased or trying to be flowery with praises, but you really take my breath away with your writing. Especially with this one. Just when I think that you've written amazingly again, you suddenly go on and write this. This is now my favorite fic from you and probably in EXO fandom. I really feel like crying because this makes me so happy and feel so much. I'm going to be all cheesy now and say that I feel proud we're sort of friends. It's an honor to be at least friends with you on Twitter because you're brilliant and it amazes me that I kinda know you. Your writing inspires me in so many ways, not just in my own writing.

Thank you for sharing your talents and for writing this and for just being you. :)
Edited Date: 2012-09-18 11:11 am (UTC)

Date: 2012-09-18 09:44 am (UTC)
From: [identity profile] mihyung.livejournal.com
let me write a coherent comment when it's not almost 3am and when my brain isn't exploding (`・ω・´)”

Date: 2012-09-18 01:12 pm (UTC)
From: [identity profile] becquinho.livejournal.com
MAIA ♥♥♥

THIS WAS UTTERLY GORGEOUS

I fell in love so many times (and got really excited about words!!!!!!!! while reading it..just because your writing and characterization is so exquisitely tangible T___T gahjagsjhdgsdkhjgfh)

The structure of the piece was especially enchanting :( ♥

*bubblewraps you and all the words in ♥♥♥♥♥♥♥♥♥s*

Date: 2012-09-18 03:19 pm (UTC)
From: [identity profile] maayacola.livejournal.com
<3 <3 Oh man I have such a soft spot for macro photography!! My dad photographs ships, and when I was a kid I use to take one of his smaller cameras and try to recreate that effect but it always ended up horrible. i admit to LOVING digitial photography-- i just got a Digital Rebel, which is my first serious digital camera (always had film cameras for serious photos before) and I think i might be addicted.

I'm glad that as a photographer, you were able to see what I was trying to say-- I think there's something about being a photographer, or someone who is used to looking at life through a viewfinder, that makes you look at even the simplest things a little differently. I'm like... glad that connected?

<3 Thank you for reading, and commenting despite your headache <3 <3

Love,
Maia

Date: 2012-09-18 03:37 pm (UTC)
From: [identity profile] cut-thestring.livejournal.com
evidently i cannot find the right words to say how much i love this--because i do, really, and it's giving me so many feels i literally can't. your characterisation and imagery and just the way you write is so vivid and gorgeous, especially spacing it the way you did with the 'tips' and 'flashbacks' and dreams and everything.
again, this is so lovely~ ♥

Date: 2012-09-18 04:02 pm (UTC)
From: [identity profile] maayacola.livejournal.com
;_______________________________________________________________________________;

whenever i set out to write an au fic, i have to find an anchor in canon. like, something i can tie back together with in the actual people, otherwise it's not the right au for me. when i lost the bet with klarisse (and actually I started writing this the minute she made her first guess) i tried to think about what kind of au would work with yixing, and it has to be something i know about: for me, both the canon and the irl knowledge are both mandatory before i can even begin to au. so thank you for noticing-- it's really important to me that they aren't just "guys with exo member's names" but that they feel like the exo members, and that the world feels real (not always /realistic/, but real). That's something that i go back and edit for a lot. <3 <3 <3 <3

to me, when i write something this long, it has to have several themes. an aesthetic theme, as well as an emotional theme. and you got it ;______; which makes me so happy, because yes, the emotional themes this time were about Yixing reconnecting to the part of himself that loves, and connecting to Jongin who is also afraid to demand too much and. Well. I never know if I'm successful or not but it's kind of thrilling to hear it worked for you ;_____;

i always feel like when i write i'm on my jongin soapbox. i can see where all these different interpretations of him come from-- they all make sense! but that's just not how I see him, and so i always want to try my best to make him three-dimensional... he seems like such a complicated, contradictory person, (for example, how he hates to be touched but LOVES to do the touching) and even though we're barely getting to know exo, there's already a lot of evidence to contradict the idea that he's arrogant so i... yeah, i always try to make him a little soft, but i aged him up a little, for this :)

((when i write ust i make myself angry lol because YES they needed to bang))

sob, and just... this whole comment is... it's so /nice/ and when i saw it i just kind of bawled because i'm actually the most terrified long-fic writer in the world and you were so excited and i was sure i would disappoint you but i /didn't/ and that makes me so relieved and happy and ;_____________; <3

so thank you so much for reading and commenting and ;____;

krisuglycrying.jpg

love,
maia

Date: 2012-09-18 04:50 pm (UTC)
From: [identity profile] maayacola.livejournal.com
sdfghjkjhkgjfh

i'm so glad you liked it ;_____________;

i feel like kaixing is a quieter pairing; it's not all fanservice and loud moments (which i love, too), but it's more... soft affection and late nights behind the scenes and a camaraderie like they're both soldiers in a very long war. they seem to have an unspoken understanding that is tangible even from through a screen, and i imagine it's even more striking in person. i really... like them too, hahaha.

kai is so delightfully complicated, and as always, i've projected a bit-- yixing likes the same things in jongin that i like in jongin-- the sheer contradiction of him! the way he's swiveling hips and obscene mouth gestures and then awkward giggles and embarrassed backward cringing.

i think i-- have some sort of attachment to the idea of self-denial. like; wanting something so much and constantly telling yourself you can't have it. i think it's something i see a lot in idols, especially-- the way they slowly become so resigned to things like airport mobs and hungry hands and eyes that they forget, a little, that letting your dreams come true doesn't mean sacrificing yourself completely. there's also the fact that in asia, the idols that do remember that are often... sort of villified, which is a whole 'nother can of worms... ANYHOW. jongin in this wants badly but he's been burned, and i wanted to give him a happy ending too.

friendship is my number one fav thing to write :D i think i've told you that before; that i love writing the ot6/ot12 stuff so very very much, and that one of the reasons i love exo is that i'm a sap for good bromances. ((and of COURSE it's a history dig-- how can i skip on a chance to tease my boys v.v)

and the scene with the rice is one of my favorites too! i really love exo-m so very much ;____;

Ah! And I'm glad the photography stuff wasn't too much! I always call my stories "zero percent plot, 50 percent imagery, 20 percent dubious meta, and 30 percent 'no one cares' details" and hey-- it's nice when the 'no one cares' details, that i probably spend so much time on, are something someone actually DOES care about-- my dad is a photographer, so for me this is all very much stuff i grew up knowing, but i tried to make it clear and easy to follow along with even if you know nothing about photography... with a few winks and nudges for people who do :D

And I love your photos v.v <3

thanks so much for reading and commenting (sobs a little)

love,
maia

Date: 2012-09-18 04:50 pm (UTC)
From: [identity profile] maayacola.livejournal.com
KRIS CRYING CHANGED MY LIFE FOR THE BETTER

Date: 2012-09-18 04:51 pm (UTC)
From: [identity profile] maayacola.livejournal.com
isn't it amazing how we miss stuff we took for granted when we were younger /sob/

I'm so happy you liked it!!! <3 <3 yes, this was a bit of a monster-- but i survived it! and so did you! i appreciate that!

thank you so much for reading and commenting :D :D <3

Date: 2012-09-18 05:02 pm (UTC)
From: [identity profile] maayacola.livejournal.com
thank you so much for reading ^____^ <3 <3

--maia

Date: 2012-09-18 05:07 pm (UTC)
From: [identity profile] maayacola.livejournal.com
*crawls into the bubblewrap and stays there forever*

dsfkgjhgl but your taste is too refined to be reading my fic, no go read goodfic somewhere omg ;_____; ((although your taste in exo members is as dubious as mine))

i'm glad you liked it though even if i can't believe it <3________<3

love,
maia

Date: 2012-09-18 05:09 pm (UTC)
From: [identity profile] maayacola.livejournal.com
;____; <3 <3 thank you so very much. i'm so happy you liked it, and the structure, too aslkfghfd <3 <3

thank you so much for reading, and for commenting <3 <3

--maia

Date: 2012-09-18 05:49 pm (UTC)
From: [identity profile] lonerleo.livejournal.com
So good! Omg love your writing

Date: 2012-09-18 06:30 pm (UTC)
From: [identity profile] mi-iseul.livejournal.com
I just upgraded mine and so much love...my husband has no idea how much love I have for my new camera over my old one. Same manufacturer (Nikon) but it's a 3100 (not quite pro model but I'm working my way up LOL) and just...the depth of colours is amazing. I tried it out at Calke Abbey the other week and got some great macro shots in the gardens and yeah. Showing them off this afternoon and got so many compliments. *happy* (just got home LOL)

I've been told I have a great eye for this sort of thing and I think you REALLY captured what it means to be a photographer in this story. It just had me flailing all over the place (as you can prolly tell by my incoherent comment *sheepish* sorry...orz) and yeah. I'll PM you some links and the password to a few macro shots so you can see, if you like? >.>

And I'm curious, are you the friend of Mec's that she talks about sometimes?

Date: 2012-09-18 06:54 pm (UTC)
From: [identity profile] maayacola.livejournal.com
omg i love Nikon cameras in general, even though all of mine have been either Canon or Fujifilm (actually I have a Hasselblad but it's from 1977 lol so I try not to use it much) , but that's only because I shoot mostly in black and white lol.

Ahhh I'm really happy that you liked it/connected with it. I wanted to put in some sly nudges for photographers, as well as make it accessible to non photographers, so it was a fine line ;; I'd LOVE to see some of your macro shots, yes yes. <3 <3

And yes! I know/love/adore Mec! <3 <3 And I think I'm her only Maia <3 <3

Date: 2012-09-18 07:01 pm (UTC)
From: [identity profile] mi-iseul.livejournal.com
Mec is awesome <333333 *knows/loves/adores her too* Many Cinnabons have been shared between us. LOL *grins* Tho not as many as I'd like, but there's still time ^.~

I couldn't get PB to cooperate so I'm uploading them to Flickr. Not quite sure how to share it from there, so I'll just try to give you the URL and hope it works? *sheepish* There's more than just macro stuff there, but it'll give you some idea of what I do. <3

Flickr (http://www.flickr.com/photos/kara-melodie/) (I hope LOL) Still uploading so there'll be pics up prolly as you look at them.

Date: 2012-09-18 07:12 pm (UTC)
From: [identity profile] parksoobyung.livejournal.com
Posted my sane comment in the 5th chapter. All that's left for me to say is

HOORAY FOR RARE PAIRS.

Date: 2012-09-19 02:01 am (UTC)
From: [identity profile] hipployta.livejournal.com
Oh my...how gorgeous was this story...it makes me want to stop being lazy, stop hunting for the perfect DSLR, and use film for photos

KaiXing!

Date: 2012-09-19 02:02 am (UTC)
From: [identity profile] maayacola.livejournal.com
omg i'm looking through them now. the bock casements is by far my favorite... thank goodness for the overcast day because it really brought out the richness of the the greenery and you can see the stone ridges and oh my gooooshhhhhhh ;____;

your camera is lovely <3 <3

((sorry wrong lj hahaha))

Date: 2012-09-19 02:27 am (UTC)
From: [identity profile] pollutedlungs.livejournal.com
OH MY GOD MAIA I'M GOING TO HUNT YOU DOWN I LOVE YOU SO MUCH
you always write the most beautiful things ;;
ok so.... character dynamic. lets start with the friendships of the story (i apologize in advance for how ginormous this comment is going to be)
yixing has very different relationships with each of his friends, which is a very realistic and amusing part of this MASTERPIECE. kris is just as embarrassing and self-important as we all know he is irl, and how earnestly he tries to tie everyone together into a peaceful group of friends is kind of pitiful and hilarious at the same time. he's kind of the push that yixing needs and also that big brother figure that helps him get the through the most confusing of times. luhan is just. luhan. cheeky bastard. how he and yixing are equally as evil to kris was one of my favorite parts of the friendship circle you constructed here (also MINSEOK. YOU ARE SO WHIPPED). jongdae is the sassiest mofo i can't even. he seems completely useless to yixing and then he jumps in with good advice and support at the last minute ;; <3
the slow build up of feelings and emotion between jongin and yixing was very realistic, and traveling that slow journey of yixing realizing hey, i'm kind of extremely in love with this person was so interesting.
i learned a shit ton about photography while reading this i want to take a class lol. but tying photography in with the desire to be with someone and to always see that someone was very clever, and the way you wrote it was intricate and unique. UGH. stop being amazing please.
another thing i really loved about the story was the way everything built up tiny piece by tiny piece and then kind of exploded into this mess of restrained desires and masked emotions at the end. that's kinda how love/confessions works, isn't it? keeping everything inside until you can't take it anymore and blow up.
THE END. WITH THE COLOR PHOTO AND THE SLEEPING JONGIN AND HE STILL HASN'T FOUND THE PERFECT PHOTOGRAPH BUT HE HAS FOREVER TO SEARCH FOR IT AND OMFG MAIA I CAN'T
you did a fantastic job and i seriously admire you so much get over here let me love you bby <33333

Date: 2012-09-19 02:55 am (UTC)
From: [identity profile] numbuh-009.livejournal.com
MOTHER OF OF THINGS HOLY, I AM ABSOLUTELY CONVINCED THAT THIS IS ONE OF THE GREATEST FICS EVAAAAAAR. No, but seriously, I can't wrap my mind around how beautifully written this entire things is. First of all, I absolutely love the photography theme. The little details you included about photography were fantastic and really made me want to take up the art. Yixing's friendship with the Kris, Luhan, Minseok, and especially Chen were so fun to read about and really expanded this fic beyond simply Yixing's relationship with Jongin, which I really liked. I like how Chen can't cook but keeps making terrible food for them anyways XD THE CONTRAST BETWEEN YIXING AND JONGIN IS SO FANTABULOUSLY BEAUTIFUL. I loved how opposite they are and how they manage to work so perfectly with one another despite, or maybe because of, those differences. I particularly liked the scene when Jongin takes a picture of Yixing; it felt like such an intimate moment, perhaps even more so than the sex scenes themselves, and I enjoyed the role reversal of Yixing being the one being seen and Jongin seeing him. I REALLY LIKE THE DESCRIPTIONS OF COLOR. Those details were so well done that I actually saw everything in black and white while reading and gradually saw color seep in as the fic went on. And the ending is just perfect ;~; *heaps praise and love and sparkly confetti on you*

Date: 2012-09-19 03:08 am (UTC)
From: [identity profile] mi-iseul.livejournal.com
Ah thanks. <3 I love the casemates so much. I'm ALWAYS there. *sheepish* The guy at the front desk is always there too. I swear he hates me by now cuz I'm always asking for more and more brochures in weird languages for my friends cuz I'm always trying to promote the casemates to EVERYONE. The last time I was there a few weeks ago, he was like...BROCHURE ONLY IN FRENCH, SO GO AWAY. Me: but I can speak/read French. You know that. Him: -.-;; (been going there for about 10 years LOL long story) I just...yeah. So much interesting history there. (they didn't used to have bars but I guess one too many dumb tourists fell out oops, so now they do. Did you know there are still cannons inside? Cool huh?)

But yeah, I love my new camera. I think only 2 of the pictures are edited - the rest are unedited. (just so you know) I won't have editing capability again until my desktop arrives and is set up sometime this weekend. PS isn't supported on my tablet *sulks* It really sucks. (it's a Windows tablet but PS is only supported on iPad or Android, not WIndows and it just doesn't work. Meh... :/ It's actually in for repairs atm so I'm on my tablet laptop that's so old that it's practically useless for much editing work now. *sighs* Drives me NUTS @.@ but I can't bear to get rid of it. I'll keep it until it finally dies for good.)

(LOL I was wondering who it was who commented *chuckles* I thought someone was crashing the convo. Not that I mind but it kind threw me... :) )

Date: 2012-09-19 05:21 am (UTC)
From: [identity profile] mihyung.livejournal.com
wow why my comment showed up twice UNINTENDED I PROMISE

okay, i finally know-ish what i want to say ;a;

number one! i love how you wrote about something that i'm pretty sure everyone likes or, at least, is curious about. it makes it more intriguing and lovely since everyone has a soft spot for it one way or another, because really: no one can grow up without a touch of photography gracing their lives whether it's family pictures or in textbooks. but i'm 90% sure that the curiosity comes from whether it's a beginner or an expert, a good picture evokes something in everyone. which is pretty poetic without words.

dos! i really, really, really love how you write! this might be because you wrote my all time favorite exo fic (universal languages; taochen ;w;), but it's like you write because the story is going to burst from you if you don't instead of writing because you want to get something out—an absolute need for words to come alive under your fingertips, and it really does come alive.

trois! 99% of their relationship in here is just like them in real life (without, you know, kisses/sex/etc. romantic stuff). i don't even know how you did that. did you wave around a magic wand, say abracadabra with the underlying meaning of "HYPOTHETICALLY if yixing and jongin were to be romantic in real life, what would it look like?" and you saw it in your crystal ball? because holy shit, it's really beautiful and seems so utterly real, i don't know how to explain it ;a; but it's really lovely and amazing! good job ♥

now for the actual fic omg ;; i loved how you managed to unfold both of them so gently and carefully. but i-i don't really know what to say other than that :( your fics leave me breathless because i feel like i'm living through them in some weird and twisted way—that's just how well you describe things. i just—i don't know how to say what i want to say without it sounding like i'm babbling, but it's really, really beautiful ♥

Date: 2012-09-19 08:18 am (UTC)
From: [identity profile] g-odalisque13.livejournal.com
first of all, mad props to you! i can never ever read stories about photography and enjoy them b/c i have a BA in photography so i end up just nit picking everything and getting too annoyed to even finish and i also feel inadequate b/c i'm not doing shit with my degree atm OTL. but i read this all the way through and enjoyed every moment. you obviously know enough about photography to write it in a detailed and accurate way which was so refreshing. i still felt inadequate for not practicing photography now, but that's not your fault! lol OTL and it also let me have flashbacks to art school i haven't shot film in SO LONG. i'm a studio/commercial(fashion) photographer...er....when i'm actually pursuing photography which isn't happening now...but anyway, digital is just more practical for that (and i'm in a very deep and meaningful relationship with photoshop) but this really had me missing the darkroom! the smell of fixer is wonderful. and made me want to just wander around and take pictures of whatever strikes my fancy which i really haven't done in ages.
but enough about me! OTL
this was just...so wonderful. i loved all the quotes interspersed as well as the occasional flashback and dream sequences. they just added to the story and showed what you were writing about subtly in a way that just added to the forward moving plot and direct interaction of the characters. i love how you wrote jongin here. i always like how you write jongin. i think i've told you before, but you just write him exactly as i see him. with so many contradictions and so different from himself onstage, though obviously still connected to that version of himself with performing and dancing and charisma. i'm rambling. but i really am in love with how you write him. and i could visualize all of the photos that you described yixing taking of him. i would buy that photobook in a heartbeat! and not only because of my jongin feels lmao.
okay this is really long and ramble-y and i'm not even sure that i've said what i wanted to say? so to sum up, this was absolutely beautiful! i enjoyed it so much and i look forward to any and all exo fics you write in the future! ♥
Edited Date: 2012-09-19 08:21 am (UTC)

Date: 2012-09-19 05:16 pm (UTC)
From: [identity profile] shadow-fictions.livejournal.com
I AM SOBBING WITH GLEE AND OTHER EMOTIONS AND AND AND AND AND

AND


WAAAAAAAAAH
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